Images & Outlines: The Poets Corner

Table of Contents

(Click title to display)

  1. Political Dr. Seuss
  2. Auld Lang Syne
  3. The Rime of the Ancient Mariner
  4. Cat and Others
  5. Book of Practical Cats
  6. Concord Hymn
  7. Old Times, Old Friends, Old Love
  8. Confidence and Credit
  9. Poetry of Bret Harte
  10. Invictus
  11. Of Love: A Sonnet, et. al.
  12. The Deacon's Masterpiece
  13. Selected Langston Hughes
  14. The Worried Skipper
  15. The Ballad of Grizzly Gulch
  16. A Little Kipling
  17. The New Colossus
  18. A Few Figs from Thistles
  19. Ogden Nash Verse
  20. Selected Verse
  21. Love's Philosophy
  22. The Wind
  23. Love Poems
  24. The Lady of Shalott, et al.
  25. The Daffodils and Others
  • Anonymous
  • Robert Burns
  • Samuel Taylor Coleridge
  • Emily Dickinson
  • T.S. Eliot
  • Ralph Waldo Emerson
  • Eugene Field
  • Jesse Hammond
  • Bret Harte
  • William Ernest Henley
  • Robert Herrick
  • Oliver Wendell Holmes, Sr.
  • Langston Hughes
  • Wallace Irwin
  • Wallace Irwin (?)
  • Rudyard Kipling
  • Emma Lazarus
  • Edna St. Vincent Millay
  • Ogden Nash
  • Dorothy Parker
  • Percy Bysshe Shelley
  • Robert Louis Stevenson
  • Sara Teasdale
  • Alfred, Lord Tennnyson
  • William Wordsworth

Political Dr. Seuss

Can we count them with our nose? Can we count them with our toes? Should we count them with a band? Should we count them all by hand? If I do not like the count, I will simply throw them out! I will not let this vote count stand! I do not like them, AL GORE I am! Can we change these numbers here? Can we change them, calm my fear? What do you mean, Dubya has won? This is not fair, this is not fun. Let's count them upside down this time. Let's count until the stats are mine! I will not let this vote count stand! I do not like it, AL GORE I am! I'm really ticked, I'm in a snit! You have not heard the last of it! I'll count the ballots one by one, And hold each one up to the sun! I'll count, recount, and count some more! You'll grow to hate this little chore. I won't leave office, I'm stayin' here! I've glued my desk chair to my rear! But I will not, cannot let this vote count stand! I do not like it, AL GORE I am!

Auld Lang Syne (1788)

by Robert Burns (1759-1796) Should auld acquaintance be forgot, And never brought to mind? Should auld acquaintance be forgot, And auld lang syne! Chorus.-For auld lang syne, my dear, For auld lang syne. We'll tak a cup o' kindness yet, For auld lang syne. And surely ye'll be your pint stowp! And surely I'll be mine! And we'll tak a cup o'kindness yet, For auld lang syne. For auld, &c. We twa hae run about the braes, And pou'd the gowans fine; But we've wander'd mony a weary fit, Sin' auld lang syne. For auld, &c. We twa hae paidl'd in the burn, Frae morning sun till dine; But seas between us braid hae roar'd Sin' auld lang syne. For auld, &c. And there's a hand, my trusty fere! And gie's a hand o' thine! And we'll tak a right gude-willie waught, For auld lang syne. For auld, &c.


Cat and Others

by Emily Dickinson (1830-1886) CAT She sights a Bird - she chuckles - She flattens - then she crawls - She runs without the look of feet - Her eyes increase to Balls - Her Jaws stir - twitching - hungry - Her Teeth can hardly stand - She leaps, but Robin leaped the first - Ah, Pussy, of the Sand - The Hopes so juicy ripening - You almost bathed your Tongue - When Bliss disclosed a hundred Toes - And fled with every one - A NARROW FELLOW IN THE GRASS A narrow Fellow in the Grass Occasionally rides - You may have met Him - did you not His notice sudden is - The Grass divides as with a Comb - A spotted shaft is seen - And then it closes at your feet And opens further on - He likes a Boggy Acre A floor too cool for Corn - Yet when a Boy, and Barefoot - I more than once at Noon Have passed, I thought, a Whip lash Unbraiding in the Sun When stooping to secure it It wrinkled, and was gone - Several of Nature's People I know, and they know me - I feel for them a transport Of cordiality - But never met this Fellow Attended, or alone Without a tighter breathing And Zero at the Bone -


Selections from

Old Possum's Book of Practical Cats

By T.S. Eliot (1888-1965) THE NAMING OF CATS The Naming of Cats is a difficult matter, It isn't just one of your holiday games; You may think at first I'm as mad as a hatter When I tell you, a cat must have THREE DIFFERENT NAMES. First of all, there's the name that the family use daily, Such as Peter, Augustus, Alonzo or James, Such as Victor or Jonathan, George or Bill Bailey- All of them sensible everyday names. There are fancier names if you think they sound sweeter, Some for the gentlemen, some for the dames: Such as Plato, Admetus, Electra, Demeter- But all of them sensible everyday names. But I tell you, a cat needs a name that's particular, A name that's peculiar, and more dignified, Else how can he keep up his tail perpendicular, Or spread out his whiskers, or cherish his pride? Of names of this kind, I can give you a quorum, Such as Munkustrap, Quaxo, or Coricopat, Such as Bombalurina, or else Jellylorum- Names that never belong to more than one cat. But above and beyond there's still one name left over, And that is the name that you never will guess; The name that no human research can discover- But THE CAT HIMSELF KNOWS, and will never confess. When you notice a cat in profound meditation, The reason, I tell you, is always the same: His mind is engaged in a rapt contemplation Of the thought, of the thought, of the thought of his name: His ineffable effable Effanineffable Deep and inscrutable singular Name. MR. MISTOFFELEES You ought to know Mr. Mistoffelees! The Original Conjuring Cat- (There can be no doubt about that). Please listen to me and don't scoff. All his Inventions are off his own bat. There's no such Cat in the metropolis; He holds all the patent monopolies For performing surprising illusions And creating eccentric confusions. At prestidigitation And at legerdemain He'll defy examination And deceive you again. The greatest magicians have something to learn From Mr. Mistoffelees' Conjuring Turn. Presto! Away we go! And we all say: OH! Well I never! Was there ever A Cat so clever As Magical Mr. Mistoffelees! He is quiet and small, he is black From his ears to the tip of his tail; He can creep through the tiniest crack, He can walk on the narrowest rail. He can pick any card from a pack, He is equally cunning with dice; He is always deceiving you into believing That he's only hunting for mice. He can play any trick with a cork Or a spoon and a bit of fish-paste; If you look for a knife or a fork And you think it is merely misplaced- You have seen it one moment, and then it is gawn! But you'll find it next week lying out on the lawn. And we all say: OH! Well I never! Was there ever A Cat so clever As Magical Mr. Mistoffelees! His manner is vague and aloof, You would think there was nobody shyer- But his voice has been heard on the roof When he was curled up by the fire. And he's sometimes been heard by the fire When he was about on the roof- (At least we all heard that somebody purred) Which is incontestable proof Of his singular magical powers: And I have known the family to call Him in from the garden for hours, While he was asleep in the hall. And not long ago this phenomenal Cat Produced seven kittens right out of a hat! And we all said: OH! Well I never! Did you ever Know a Cat so clever As Magical Mr. Mistoffelees!


Concord Hymn

by Ralph Waldo Emerson (1803-1882) Sung at the completion of the Battle Monument, July 4, 1837 BY the rude bridge that arched the flood, Their flag to April's breeze unfurled, Here once the embattled farmers stood And fired the shot heard round the world. The foe long since in silence slept; Alike the conqueror silent sleeps; And Time the ruined bridge has swept Down the dark stream which seaward creeps. On this green bank, by this soft stream, We set to-day a votive stone; That memory may their deed redeem, When, like our sires, our sons are gone. Spirit, that made those heroes dare To die, and leave their children free, Bid Time and Nature gently spare The shaft we raise to them and thee.


Old Times, Old Friends, Old Love

by Eugene Field (1850-1895) There are no days like the good old days,-- The days when we were youthful! When humankind were pure of mind, And speech and deeds were truthful; Before a love for sordid gold Became man's ruling passion, And before each dame and maid became Slave to the tyrant fashion! There are no girls like the good old girls,-- Against the world I'd stake 'em! As buxom and smart and clean of heart As the Lord knew how to make 'em! They were rich in spirit and common-sense, And piety all supportin'; They could bake and brew, and had taught school, too, And they made such likely courtin'! There are no boys like the good old boys,-- When we were boys together! When the grass was sweet to the brown bare feet That dimpled the laughing heather; When the pewee sung to the summer dawn Of the bee in the billowy clover, Or down by the mill the whip-poor-will Echoed his night song over. There is no love like the good old love,-- The love that mother gave us! We are old, old men, yet we pine again For that precious grace,--God save us! So we dream and dream of the good old times, And our hearts grow tenderer, fonder, As those dear old dreams bring soothing gleams Of heaven away off yonder.


Confidence and Credit

by Jesse Hammond For the Mirror, Aug 1827 The day was dark, the markets dull, The Change was thin, Gazettes were full, And half the town was breaking; The counter-sign of Cash was "Stop!" Bankers and bankrupts shut up shop, And honest hearts were aching. When near the Bench my fancy spied A faded form, with hasty stride, Beneath Grief's burden stooping: Her name was CREDIT, and she said Her father, TRADE, was lately dead, Her mother, COMMERCE, drooping. The smile that she was wont to wear Was wither'd by the hand of care, Her eyes had lost their lustre: Her character was gone, she said, For she had basely been betray'd, And nobody would trust her. For honest INDUSTRY had tried To gain fair CREDIT for his bride, And found the damsel willing, But, ah! a fortune-hunter came, And SPECULATION was his name, A rake not worth a shilling. The villain came, on mischief bent, And soon gain'd dad and mam's consent— Ah! then poor CREDIT smarted;— He filch'd her fortune and her fame, He fix'd a blot upon her name, And left her broken-hearted. While thus poor CREDIT seem'd to sigh, Her cousin, CONFIDENCE, came by— (Methinks he must be clever)— For, when he whisper'd in her ear, She check'd the sigh, she dried the tear. And smiled as sweet as ever!


The Worried Skipper

by Wallace Irwin "I hates to think of dyin'," says the skipper to the mate; "Starvation, shipwrecks, heart disease I loathes to contemplate. I hates to think of vanities and all the crimes they lead to," Then says the mate, With looks sedate, "Ye doesn't reely need to." "It fills me breast with sorrer," says the skipper with a sigh, "To conjer up the happy days what careless has slipped by; I hates to contemplate the day I ups and left me Mary." Then says the mate, "Why contemplate, If it ain't necessary?" "Suppose that this here vessel," says the skipper, with a groan, "Should lose 'er bearin's, run away, and hump upon a stone; Suppose she'd shiver and go down, when save ourselves we couldn't." The mate replies, "Oh, blow me eyes! Suppose, ag'in, she shouldn't?" "The chances is ag'in us," says the skipper in dismay; "If fate don't kill us out and out, it gits us all some day. So many perish of old age, the death rate must be fearful," "Well," says the mate, "At any rate, We might as well die cheerful." "I read in them statistic books," the nervous skipper cries, "That every minute by the clock some feller ups and dies; I wonder what disease they gits that kills in such a hurry," The mate he winks And says, "I thinks They mostly dies of worry." "Of certain things," the skipper sighs, "me conscience won't be rid, And all the wicked things I done I sure should not have did; The wrinkles on me inmost soul compel me oft to shiver." "Yer soul's fust-rate," Observes the mate; "The trouble's with yer liver."


The Ballad of Grizzly Gulch

by Wallace Irwin (?) The rocks are rough, the trail is tough, The forest lies before, As madly, madly to the hunt Rides good King Theodore With woodsmen, plainsmen, journalists And kodaks thirty-four. The bob-cats howl, the panthers growl, "He sure is after us!" As by his side lopes Bill, the Guide, A wiked-looking cuss-- "Chee-chee!" the little birds exclaim, "Ain't Teddy stren-oo-uss!" Though dour the climb with slip and slime, King Ted he doesn't care, Till, cracking peanuts on a rock, Behold, a Grizzly Bear! King Theodore he shows his teeth, But he never turns a hair. "Come hither, Court Photographer," The genial monarch saith, "Be quick to snap your picture-trap As I do yon Bear to death." "Dee-lighted!" cries the smiling Bear, As he waits and holds his breath. Then speaks the Court Biographer, And a handy guy is he, "First let me wind my biograph, That the deed recorded be." "A square deal!" saith the patient Bear, With ready repartee. And now doth mighty Theodore For slaughter raise his gun; A flash, a bang, an ursine roar-- The dready deed is done! And now the kodaks thirty-four In chorus click as one. The big brown bruin stricken falls And in his juices lies; His blood is spent, yet deep content Beams from his limpid eyes. "Congratulations, dear old pal!" He murmers as he dies. From Cripple Creek and Soda Springs, Gun Gulch and Gunnison, A-foot, a-sock, the people flock To see that deed of gun; And parents bring huge families To show what they have done. In the damp corse stands Theodore And takes a hand of each, As loud and long the happy throng Cries, "Speech!" again and "Speech!" Which pleaseth well King Theodore, Whose practice is to preach. "Good friends," he says, "lead outdoor lives And Fame you yet may see-- Just look at Lincoln, Washington, And the great Napoleon B.; And after that take off your hats And you may look at me!" But as he speaks, a Messenger Cries, "Sire, a telegraft!" The king up takes the wireless screed Which he opens fore and aft, And reads: "The Venezuelan stew Is boiling over. TAFT." Then straight the good King Theodore In anger drops his gun And turns his flashing spectacles Toward his high-domed Washington. "O tush!" he saith beneath his breath, "A man can't have no fun!" Then comes a disappointed wail From every rock and tree. "Good-by, good-by!" the grizzlies cry And wring their handkerchee. And a sad bob-cat exclaims, "O drat! He never shot at me!" So backward, backward from the hunt The Monarch lopes once more. The Constitution rides behind And the Big Stick rides before (Which was a rule of precedent In the reign of Theodore).


Poetry of Bret Harte

by (Francis) Bret Harte (1839-1902) ASPIRING MISS DE LAINE (A CHEMICAL NARRATIVE) Certain facts which serve to explain The physical charms of Miss Addie De Laine, Who, as the common reports obtain, Surpassed in complexion the lily and rose; With a very sweet mouth and a retrousse nose; A figure like Hebe's, or that which revolves In a milliner's window, and partially solves That question which mentor and moralist pains, If grace may exist minus feeling or brains. Of course the young lady had beaux by the score, All that she wanted,--what girl could ask more? Lovers that sighed and lovers that swore, Lovers that danced and lovers that played, Men of profession, of leisure, and trade; But one, who was destined to take the high part Of holding that mythical treasure, her heart,-- This lover, the wonder and envy of town, Was a practicing chemist, a fellow called Brown. I might here remark that 'twas doubted by many, In regard to the heart, if Miss Addie had any; But no one could look in that eloquent face, With its exquisite outline and features of grace, And mark, through the transparent skin, how the tide Ebbed and flowed at the impulse of passion or pride,-- None could look, who believed in the blood's circulation As argued by Harvey, but saw confirmation That here, at least, Nature had triumphed o'er art, And as far as complexion went she had a heart. But this par parenthesis. Brown was the man Preferred of all others to carry her fan, Hook her glove, drape her shawl, and do all that a belle May demand of the lover she wants to treat well. Folks wondered and stared that a fellow called Brown-- Abstracted and solemn, in manner a clown, Ill dressed, with a lingering smell of the shop-- Should appear as her escort at party or hop. Some swore he had cooked up some villainous charm, Or love philter, not in the regular Pharm- Acopoeia, and thus, from pure malice prepense, Had bewitched and bamboozled the young lady's sense; Others thought, with more reason, the secret to lie In a magical wash or indelible dye; While Society, with its censorious eye And judgment impartial, stood ready to damn What wasn't improper as being a sham. For a fortnight the townfolk had all been agog With a party, the finest the season had seen, To be given in honor of Miss Pollywog, Who was just coming out as a belle of sixteen. The guests were invited; but one night before A carriage drew up at the modest back door Of Brown's lab'ratory, and, full in the glare Of a big purple bottle, some closely veiled fair Alighted and entered: to make matters plain, Spite of veils and disguises, 'twas Addie De Laine. As a bower for true love, 'twas hardly the one That a lady would choose to be wooed in or won: No odor of rose or sweet jessamine's sigh Breathed a fragrance to hallow their pledge of troth by, Nor the balm that exhales from the odorous thyme; But the gaseous effusions of chloride of lime, And salts, which your chemist delights to explain As the base of the smell of the rose and the drain. Think of this, O ye lovers of sweetness! and know What you smell when you snuff up Lubin or Pinaud. I pass by the greetings, the transports and bliss, Which of course duly followed a meeting like this, And come down to business,--for such the intent Of the lady who now o'er the crucible leant, In the glow of a furnace of carbon and lime, Like a fairy called up in the new pantomime,-- And give but her words, as she coyly looked down In reply to the questioning glances of Brown: "I am taking the drops, and am using the paste, And the little white powders that had a sweet taste, Which you told me would brighten the glance of my eye, And the depilatory, and also the dye, And I'm charmed with the trial; and now, my dear Brown, I have one other favor,--now, ducky, don't frown,-- Only one, for a chemist and genius like you But a trifle, and one you can easily do. Now listen: to-morrow, you know, is the night Of the birthday soiree of that Pollywog fright; And I'm to be there, and the dress I shall wear Is TOO lovely; but"-- "But what then, ma chere?" Said Brown, as the lady came to a full stop, And glanced round the shelves of the little back shop. "Well, I want--I want something to fill out the skirt To the proper dimensions, without being girt In a stiff crinoline, or caged in a hoop That shows through one's skirt like the bars of a coop; Something light, that a lady may waltz in, or polk, With a freedom that none but you masculine folk Ever know. For, however poor woman aspires, She's always bound down to the earth by these wires. Are you listening? Nonsense! don't stare like a spoon, Idiotic; some light thing, and spacious, and soon-- Something like--well, in fact--something like a balloon!" Here she paused; and here Brown, overcome by surprise, Gave a doubting assent with still wondering eyes, And the lady departed. But just at the door Something happened,--'tis true, it had happened before In this sanctum of science,--a sibilant sound, Like some element just from its trammels unbound, Or two substances that their affinities found. The night of the anxiously looked for soiree Had come, with its fair ones in gorgeous array; With the rattle of wheels and the tinkle of bells, And the "How do ye do's" and the "Hope you are well's;" And the crush in the passage, and last lingering look You give as you hang your best hat on the hook; The rush of hot air as the door opens wide; And your entry,--that blending of self-possessed pride And humility shown in your perfect-bred stare At the folk, as if wondering how they got there; With other tricks worthy of Vanity Fair. Meanwhile, the safe topic, the beat of the room, Already was losing its freshness and bloom; Young people were yawning, and wondering when The dance would come off; and why didn't it then: When a vague expectation was thrilling the crowd, Lo! the door swung its hinges with utterance proud! And Pompey announced, with a trumpet-like strain, The entrance of Brown and Miss Addie De Laine. She entered; but oh! how imperfect the verb To express to the senses her movement superb! To say that she "sailed in" more clearly might tell Her grace in its buoyant and billowy swell. Her robe was a vague circumambient space, With shadowy boundaries made of point-lace; The rest was but guesswork, and well might defy The power of critical feminine eye To define or describe: 'twere as futile to try The gossamer web of the cirrus to trace, Floating far in the blue of a warm summer sky. 'Midst the humming of praises and glances of beaux That greet our fair maiden wherever she goes, Brown slipped like a shadow, grim, silent, and black, With a look of anxiety, close in her track. Once he whispered aside in her delicate ear A sentence of warning,--it might be of fear: "Don't stand in a draught, if you value your life." (Nothing more,--such advice might be given your wife Or your sweetheart, in times of bronchitis and cough, Without mystery, romance, or frivolous scoff.) But hark to the music; the dance has begun. The closely draped windows wide open are flung; The notes of the piccolo, joyous and light, Like bubbles burst forth on the warm summer night. Round about go the dancers; in circles they fly; Trip, trip, go their feet as their skirts eddy by; And swifter and lighter, but somewhat too plain, Whisks the fair circumvolving Miss Addie De Laine. Taglioni and Cerito well might have pined For the vigor and ease that her movements combined; E'en Rigelboche never flung higher her robe In the naughtiest city that's known on the globe. 'Twas amazing, 'twas scandalous; lost in surprise, Some opened their mouths, and a few shut their eyes. But hark! At the moment Miss Addie De Laine, Circling round at the outer edge of an ellipse Which brought her fair form to the window again, From the arms of her partner incautiously slips! And a shriek fills the air, and the music is still, And the crowd gather round where her partner forlorn Still frenziedly points from the wide window-sill Into space and the night; for Miss Addie was gone! Gone like the bubble that bursts in the sun; Gone like the grain when the reaper is done; Gone like the dew on the fresh morning grass; Gone without parting farewell; and alas! Gone with a flavor of hydrogen gas! When the weather is pleasant, you frequently meet A white-headed man slowly pacing the street; His trembling hand shading his lack-lustre eye, Half blind with continually scanning the sky. Rumor points him as some astronomical sage, Re-perusing by day the celestial page; But the reader, sagacious, will recognize Brown, Trying vainly to conjure his lost sweetheart down, And learn the stern moral this story must teach, That Genius may lift its love out of its reach. THE LOST GALLEON In sixteen hundred and forty-one, The regular yearly galleon, Laden with odorous gums and spice, India cottons and India rice, And the richest silks of far Cathay, Was due at Acapulco Bay. Due she was, and overdue,-- Galleon, merchandise and crew, Creeping along through rain and shine, Through the tropics, under the line. The trains were waiting outside the walls, The wives of sailors thronged the town, The traders sat by their empty stalls, And the Viceroy himself came down; The bells in the tower were all a-trip, Te Deums were on each Father's lip, The limes were ripening in the sun For the sick of the coming galleon. All in vain. Weeks passed away, And yet no galleon saw the bay. India goods advanced in price; The Governor missed his favorite spice; The Senoritas mourned for sandal And the famous cottons of Coromandel; And some for an absent lover lost, And one for a husband,--Dona Julia, Wife of the captain tempest-tossed, In circumstances so peculiar; Even the Fathers, unawares, Grumbled a little at their prayers; And all along the coast that year Votive candles were scarce and dear. Never a tear bedims the eye That time and patience will not dry; Never a lip is curved with pain That can't be kissed into smiles again; And these same truths, as far as I know, Obtained on the coast of Mexico More than two hundred years ago, In sixteen hundred and fifty-one,-- Ten years after the deed was done,-- And folks had forgotten the galleon: The divers plunged in the gulf for pearls, White as the teeth of the Indian girls; The traders sat by their full bazaars; The mules with many a weary load, And oxen dragging their creaking cars, Came and went on the mountain road. Where was the galleon all this while? Wrecked on some lonely coral isle, Burnt by the roving sea-marauders, Or sailing north under secret orders? Had she found the Anian passage famed, By lying Maldonado claimed, And sailed through the sixty-fifth degree Direct to the North Atlantic Sea? Or had she found the "River of Kings," Of which De Fonte told such strange things, In sixteen forty? Never a sign, East or west or under the line, They saw of the missing galleon; Never a sail or plank or chip They found of the long-lost treasure-ship, Or enough to build a tale upon. But when she was lost, and where and how, Are the facts we're coming to just now. Take, if you please, the chart of that day, Published at Madrid,--por el Rey; Look for a spot in the old South Sea, The hundred and eightieth degree Longitude west of Madrid: there, Under the equatorial glare, Just where the east and west are one, You'll find the missing galleon,-- You'll find the San Gregorio, yet Riding the seas, with sails all set, Fresh as upon the very day She sailed from Acapulco Bay. How did she get there? What strange spell Kept her two hundred years so well, Free from decay and mortal taint? What but the prayers of a patron saint! A hundred leagues from Manilla town, The San Gregorio's helm came down; Round she went on her heel, and not A cable's length from a galliot That rocked on the waters just abreast Of the galleon's course, which was west-sou'-west. Then said the galleon's commandante, General Pedro Sobriente (That was his rank on land and main, A regular custom of Old Spain), "My pilot is dead of scurvy: may I ask the longitude, time, and day?" The first two given and compared; The third--the commandante stared! "The FIRST of June? I make it second." Said the stranger, "Then you've wrongly reckoned; I make it FIRST: as you came this way, You should have lost, d'ye see, a day; Lost a day, as plainly see, On the hundred and eightieth degree." "Lost a day?" "Yes; if not rude, When did you make east longitude?" "On the ninth of May,--our patron's day." "On the ninth?--YOU HAD NO NINTH OF MAY! Eighth and tenth was there; but stay"-- Too late; for the galleon bore away. Lost was the day they should have kept, Lost unheeded and lost unwept; Lost in a way that made search vain, Lost in a trackless and boundless main; Lost like the day of Job's awful curse, In his third chapter, third and fourth verse; Wrecked was their patron's only day,-- What would the holy Fathers say? Said the Fray Antonio Estavan, The galleon's chaplain,--a learned man,-- "Nothing is lost that you can regain; And the way to look for a thing is plain, To go where you lost it, back again. Back with your galleon till you see The hundred and eightieth degree. Wait till the rolling year goes round, And there will the missing day be found; For you'll find, if computation's true, That sailing EAST will give to you Not only one ninth of May, but two,-- One for the good saint's present cheer, And one for the day we lost last year." Back to the spot sailed the galleon; Where, for a twelvemonth, off and on The hundred and eightieth degree She rose and fell on a tropic sea. But lo! when it came to the ninth of May, All of a sudden becalmed she lay One degree from that fatal spot, Without the power to move a knot; And of course the moment she lost her way, Gone was her chance to save that day. To cut a lengthening story short, She never saved it. Made the sport Of evil spirits and baffling wind, She was always before or just behind, One day too soon or one day too late, And the sun, meanwhile, would never wait. She had two Eighths, as she idly lay, Two Tenths, but never a NINTH of May; And there she rides through two hundred years Of dreary penance and anxious fears; Yet, through the grace of the saint she served, Captain and crew are still preserved. By a computation that still holds good, Made by the Holy Brotherhood, The San Gregorio will cross that line In nineteen hundred and thirty-nine: Just three hundred years to a day From the time she lost the ninth of May. And the folk in Acapulco town, Over the waters looking down, Will see in the glow of the setting sun The sails of the missing galleon, And the royal standard of Philip Rey, The gleaming mast and glistening spar, As she nears the surf of the outer bar. A Te Deum sung on her crowded deck, An odor of spice along the shore, A crash, a cry from a shattered wreck,-- And the yearly galleon sails no more In or out of the olden bay; For the blessed patron has found his day. ------- Such is the legend. Hear this truth: Over the trackless past, somewhere, Lie the lost days of our tropic youth, Only regained by faith and prayer, Only recalled by prayer and plaint: Each lost day has its patron saint! NOTE: THE LOST GALLEON. As the custom on which the central incident of this legend is based may not be familiar to all readers, I will repeat here that it is the habit of navigators to drop a day from their calendar in crossing westerly the 180th degree of longitude of Greenwich, adding a day in coming east; and that the idea of the lost galleon had an origin as prosaic as the log of the first China Mail Steamer from San Francisco. The explanation of the custom and its astronomical relations belongs rather to the usual text-books than to poetical narration. If any reader thinks I have overdrawn the credulous superstitions of the ancient navigators, I refer him to the veracious statements of Maldonado, De Fonte, the later voyages of La Perouse and Anson, and the charts of 1640. In the charts of that day Spanish navigators reckoned longitude E. 360 degrees from the meridian of the Isle of Ferro. For the sake of perspicuity before a modern audience, the more recent meridian of Madrid was substituted. The custom of dropping a day at some arbitrary point in crossing the Pacific westerly, I need not say, remains unaffected by any change of meridian. I know not if any galleon was ever really missing. For two hundred and fifty years an annual trip was made between Acapulco and Manila. It may be some satisfaction to the more severely practical of my readers to know that, according to the best statistics of insurance, the loss during that period would be exactly three vessels and six hundredths of a vessel, which would certainly justify me in this summary disposition of ONE.


Selected Langston Hughes

by Langston Hughes (1902-1967) AMERICAN HEARTBREAK I am the American heartbreak - Rock on which Freedom Stumps its toe - The great mistake That Jamestown Made long ago. LUCK Sometimes a crumb falls From the tables of joy, Sometimes a bone Is flung. To some people Love is given, To others Only heaven. UP-BEAT In the gutter boys who try might meet girls on the fly as out of the gutter girls who will may meet boys copping a thrill while from the gutter both can rise: But it requires plenty eyes. LOW TO HIGH How can you forget me? But you do! You said you was gonna take me Up with you - Now you've got your Cadillac, you done forgot that you are black. How can you forget me When I'm you? But you do. How can you forget me, fellow, say? How can you low-rate me this way? You treat me like you damn well please, Ignore me - though I pay your fees. How can you forget me? But you do. HIGH TO LOW God knows We have our troubles, too - One trouble is you: you talk too loud, cuss too loud, look too black, don't get anywhere, and sometimes it seems you don't even care. The way you send your kids to school stockings down, (not Ethical Culture) the way you shout out loud in church, (not St. Phillip's) and the way you lounge on doorsteps just as if you were down South, (not at 409) the way you clown - the way, in other words, you let me down - me, trying to uphold the race and you - well, you can see, we have our problems, too, with you.


Invictus

by William Ernest Henley Out of the night that covers me, Black as the Pit from pole to pole, I thank whatever gods may be For my unconquerable soul. In the fell clutch of circumstance I have not winced nor cried aloud. Under the bludgeonings of chance My head is bloody, but unbowed. Beyond this place of wrath and tears Looms but the horror of the shade, And yet the menace of the years Finds, and shall find me, unafraid. It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate; I am the captain of my soul.


The Female of The Species

by Rudyard Kipling (1865-1936) (1911) When the Himalayan peasant meets the he-bear in his pride, He shouts to scare the monster, who will often turn aside; But the she-bear thus accosted rends the peasant tooth and nail, For the female of the species is more deadly than the male. When Nag the basking cobra hears the careless foot of man, He will sometimes wriggle sideways and avoid it as he can; But his mate makes no such motion where she camps beside the trail, For the female of the species is more deadly than the male. When the early Jesuit fathers preached to Hurons and Choctaws, They prayed to be delivered from the vengeance of the squaws. 'Twas the women, not the warriors, turned those stark enthusiasts pale, For the female of the species is more deadly than the male. Man's timid heart is bursting with the things he must not say, For the Woman that God gave him isn't his to give away; But when the hunter meets with husband, each confirms the other's tale - The female of the species is more deadly than the male. Man, a bear in most relations - worm and savage otherwise, - Man propounds negotiations, Man accepts the comprimise. Very rarely will he squarely push the logic of fact To its ultimate conclusion in unmitigated act. Fear, or foolishness, impels him, ere he lay the wicked low, To concede some form of trial even to his fiercest foe. Mirth obscene diverts his anger! Doubt and Pity oft perplex Him in dealing with an issue - to the scandal of The Sex! But the Woman that God gave him, every fibre of her frame Proves her launched for one sole issue, armed and engined for the same; And to serve that single issue, lest the generations fail, The female of the species must be deadlier than male. She who faces Death by torture for each life beneath her breast May not deal in doubt or pity - must not swerve for fact or jest. These be purely male diversions - not in these her hornour dwells. She the Other Law we live by, is that Law and nothing else. She can bring no more to living than the powers that make her great And the Mother of the Infant and the Mistress of the Mate! And when Babe and Man are lacking and she strides unclaimed to claim Her rights as femme (and baron), her equipment is the same. She is weded to convictions - in default of grosser ties; Her contentions are her children, Heaven help him who denies! - He will meet no suave discussion, but the instant, white-hot, wild, Wakened female of the species warring as for spouse and child. Unprovoked and awful changes - even so the she-bear fights, Speech that drips, corrodes, and poisons - even so the cobra bites, Scientific vivisection of one nerve till it is raw, And the victim writhes in anguish - like the Jesuit with the squaw! So it comes that Man the coward, when he gathers to confer With her fellow-braves in council, dare not leave a place for her Where, at war with Life and Conscience, he uplifts his erring hands To some God of Abstract Justice - which no woman understands. And man knows it! Knows, moreover, that the Woman that God gave him Must command but may not govern - shall entrhal but not enslave him. And She knows, because She warns him, and Her instincts never fail, That the Female of Her Species is more deadly than the Male.

If

If you can keep your head when all about you Are losing theirs and blaming it on you, If you can trust yourself when all men doubt you But make allowance for their doubting too, If you can wait and not be tired by waiting, Or being lied about, don't deal in lies, Or being hated, don't give way to hating, And yet don't look too good, nor talk too wise: If you can dream--and not make dreams your master, If you can think--and not make thoughts your aim; If you can meet with Triumph and Disaster And treat those two impostors just the same; If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build 'em up with worn-out tools: If you can make one heap of all your winnings And risk it all on one turn of pitch-and-toss, And lose, and start again at your beginnings And never breath a word about your loss; If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the Will which says to them: "Hold on!" If you can talk with crowds and keep your virtue, Or walk with kings--nor lose the common touch, If neither foes nor loving friends can hurt you; If all men count with you, but none too much, If you can fill the unforgiving minute With sixty seconds' worth of distance run, Yours is the Earth and everything that's in it, And--which is more--you'll be a Man, my son!

Mandalay

By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say; "Come you back, you British Soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay; Can't you 'ear their paddles clunkin' from Rangoon to Mandalay? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-Yaw-Lat jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud-- Wot they called the Great Gawd Budd-- Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-la-lo!" With 'er arm upon my shoulder an' 'er cheek again my cheek We useter watch the steamers an' the hathis pilin' teak. Elephants a-piling teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! But that's all shove be'ind me -- long ago and fur away, An' there ain't no 'buses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! I am sick 'o wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and-- Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! Ship me somewheres east of Suez, where the best is like the worst, Where there ain't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', and it's there that I would be-- By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay!


The New Colossus

by Emma Lazarus (1849-1887) Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. "Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!"


A Few Figs From Thistles, 1922 (excerpts)

by Edna St. Vincent Millay (1892-1950)

THE PENITENT I had a little Sorrow, Born of a little Sin, I found a room all damp with gloom And shut us all within; And, "Little Sorrow, weep," said I, "And, Little Sin, pray God to die, And I upon the floor will lie And think how bad I've been!" Alas for pious planning­ It mattered not a whit! As far as gloom went in that room, The lamp might have been lit! My little Sorrow would not weep, My little Sin would go to sleep­ To save my soul I could not keep My graceless mind on it! So up I got in anger, And took a book I had, And put a ribbon on my hair To please a passing lad. And, "One thing there's no getting by­ I've been a wicked girl," said I; "But if I can't be sorry, why, I might as well be glad!" FIRST FIG My candle burns at both ends; It will not last the night; But ah, my foes, and oh, my friends­ It gives a lovely light!


Selected Verse

by Dorothy Parker (1893-1967) OBSERVATION If I don't drive around the park, I'm pretty sure to make my mark. If I'm in bed each night by ten. I may get back my looks again. If I abstain from fun and such. I'll probably amount to much; But I shall stay the way I am. Because I do not give a damn. GENERAL REVIEW OF THE SEX SITUATION Woman wants monogamy; Man delights in novelty. Love is woman's moon and sun; Man has other forms of fun. Woman lives but in her lord; Count to ten, and man is bored. With this the gist and sum of it, What earthly good can come of it? EXPERIENCE Some men break your heart in two, Some men fawn and flatter, Some men never look at you; And that cleans up the matter. NEWS ITEM Men seldom make passes At girls who wear glasses. ONE PERFECT ROSE A single flow'r he sent me, since we met. All tenderly his messenger he chose; Deep-hearted, pure, with scented dew still wet - One perfect rose. I knew the language of the floweret; "My fragile leaves," it said, "his heart enclose." Love long has taken for his amulet One perfect rose. Why is it no one ever sent me yet One perfect limousine, do you suppose? Ah no, it's always just my luck to get One perfect rose. FIGHTING WORDS Say my love is easy had, Say I'm bitten raw with pride, Say I am too often sad- Still behold me at your side. Say I'm neither brave nor young, Say I woo and coddle care, Say the devil touched my tongue- Still you have my heart to wear. But say my verses do not scan, And I get me another man! SONG IN A MINOR KEY There's a place I know where the birds swing low, And wayward vines go roaming, Where the lilacs nod, and a marble god Is pale, in scented gloaming. And at sunset there comes a lady fair Whose eyes are deep with yearning. By an old, old gate does the lady wait Her own true love's returning. But the days go by, and the lilacs die, And trembling birds seek cover; Yet the lady stands, with her long white hands Held out to greet her lover. And it's there she'll stay till the shadowy day A monument they grave her. She will always wait by the same old gate, - The gate her true love gave her. LOVE SONG My own dear love, he is strong and bold And he cares not what comes after. His words ring sweet as a chime of gold, And his eyes are lit with laughter. He is jubilant as a flag unfurled- Oh, a girl, she'd not forget him. My own dear love, he is all my world, - And I wish I'd never met him. My love, he's mad, and my love, he's fleet, And a wild young wood-thing bore him! The ways are fair to his roaming feet, And the skies are sunlit for him. As sharply sweet to my heart he seems As the fragrance of acacia. My own dear love, he is all my dreams, - And I wish he were in Asia. My love runs by like a day in June, And he makes no friends of sorrows. He'll tread his galloping rigadoon In the pathway of the morrows. He'll live his days where the sunbeams start, Nor could storm or wind uproot him. My own dear love, he is all my heart, - And I wish somebody'd shoot him. UNFORTUNATE COINCIDENCE By the time you swear you're his, Shivering and sighing, And he vows his passion is Infinite, undying - Lady, make a note of this: One of you is lying. BALLADE AT THIRTY-FIVE This, no song of an ingénue, This, no ballad of innocence; This, the rhyme of a lady who Followed ever her natural bents. This, a solo of sapience, This, a chantey of sophistry, This, the sum of experiments, - I loved them until they loved me. Decked in garments of sable hue, Daubed with ashes of myriad Lents, Wearing shower bouquets of rue, Walk I ever in penitence. Oft I roam, as my heart repents, Through God's acre of memory, Marking stones, in my reverence, "I loved them until they loved me." Pictures pass me in long review, - Marching columns of dead events. I was tender, and, often, true; Ever a prey to coincidence. Always knew I the consequence; Always saw what the end would be. We're as Nature has made us - hence I loved them until they loved me. L'ENVOI Princes, never I'd give offense, Won't you think of me tenderly? Here's my strength and my weakness, gents, - I loved them until they loved me. A VERY SHORT SONG Once, when I was young and true, Someone left me sad- Broke my brittle heart in two; And that is very bad. Love is for unlucky folk, Love is but a curse. Once there was a heart I broke; And that, I think, is worse.


Love's Philosophy

by Percy Bysshe Shelley (1792-1822) The fountains mingle with the river, And the rivers with the ocean; The winds of heaven mix forever, With a sweet emotion; Nothing in the world is single; All things by a law devine In one another's being mingle: - Why not I with thine? See! the mountains kiss high heaven, And the waves clasp one another; No sister flower would be forgiven If it disdained its brother; And the sunlight clasps the earth, And the moonbeams kiss the sea: - What are all these kissings worth, If thou kiss not me?


The Wind

by Robert Louis Stevenson (1850-1894) I saw you toss the kites on high And blow the birds about the sky; And all around I heard you pass, Like ladies' skirts across the grass- O wind, a-blowing all day long O wind, that sings so loud a song! I saw the different things you did, But always you yourself you hid, I felt you push, I heard you call, I could not see yourself at all- O wind, a-blowing all day long O wind, that sings so loud a song! O you are so strong and cold, O blower, are you young or old? Are you a beast of field and tree, Or just a stronger child than me? O wind, a-blowing all day long O wind, that sings so loud a song!


The Lady of Shalott

(1842 version) by Alfred, Lord Tennyson (1809 - 1892) Part I On either side the river lie Long fields of barley and of rye, That clothe the wold and meet the sky; And thro' the field the road runs by To many-tower'd Camelot; And up and down the people go, Gazing where the lilies blow Round an island there below, The island of Shalott. Willows whiten, aspens quiver, Little breezes dusk and shiver Thro' the wave that runs for ever By the island in the river Flowing down to Camelot. Four grey walls, and four grey towers, Overlook a space of flowers, And the silent isle imbowers The Lady of Shalott. By the margin, willow-veil'd, Slide the heavy barges trail'd By slow horses; and unhail'd The shallop fitteth silken-sail'd Skimming down to Camelot: But who hath seen her wave her hand? Or at the casement seen her stand? Or is she known in all the land, The Lady of Shalott? Only reapers, reaping early, In among the bearded barley, Hear a song that echoes cheerly From the river winding clearly, Down to tower'd Camelot: And by the moon the reaper weary, Piling sheaves in uplands airy, Listening, whispers, "'Tis the fairy The Lady of Shalott." Part II There she weaves by night and day A magic web with colours gay. She has heard a whisper say, A curse is on her if she stay To look down to Camelot. She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott. And moving thro' a mirror clear That hangs before her all the year, Shadows of the world appear. There she sees the highway near Winding down to Camelot: There the river eddy whirls, And there the surly village-churls, And the red cloaks of market girls, Pass onward from Shalott. Sometimes a troop of damsels glad, An abbot on an ambling pad, Sometimes a curly shepherd-lad, Or long-hair'd page in crimson clad, Goes by to tower'd Camelot: And sometimes thro' the mirror blue The knights come riding two and two: She hath no loyal knight and true, The Lady of Shalott. But in her web she still delights To weave the mirror's magic sights, For often thro' the silent nights A funeral, with plumes and lights, And music, went to Camelot: Or when the Moon was overhead, Came two young lovers lately wed; "I am half sick of shadows," said The Lady of Shalott. Part III A bow-shot from her bower-eaves, He rode between the barley-sheaves, The sun came dazzling thro' the leaves, And flamed upon the brazen greaves Of bold Sir Lancelot. A red-cross knight for ever kneel'd To a lady in his shield, That sparkled on the yellow field, Beside remote Shalott. The gemmy bridle glitter'd free, Like to some branch of stars we see Hung in the golden Galaxy. The bridle bells rang merrily As he rode down to Camelot: And from his blazon'd baldric slung A mighty silver bugle hung, And as he rode his armor rung, Beside remote Shalott. All in the blue unclouded weather Thick-jewell'd shone the saddle-leather, The helmet and the helmet-feather Burn'd like one burning flame together, As he rode down to Camelot. As often thro' the purple night, Below the starry clusters bright, Some bearded meteor, trailing light, Moves over still Shalott. His broad clear brow in sunlight glow'd; On burnish'd hooves his war-horse trode; From underneath his helmet flow'd His coal-black curls as on he rode, As he rode down to Camelot. From the bank and from the river He flash'd into the crystal mirror, "Tirra lirra," by the river Sang Sir Lancelot. She left the web, she left the loom, She made three paces thro' the room, She saw the water-lily bloom, She saw the helmet and the plume, She look'd down to Camelot. Out flew the web and floated wide; The mirror crack'd from side to side; "The curse is come upon me!" cried The Lady of Shalott. Part IV In the stormy east-wind straining, The pale yellow woods were waning, The broad stream in his banks complaining, Heavily the low sky raining Over tower'd Camelot; Down she came and found a boat Beneath a willow left afloat, And round about the prow she wrote The Lady of Shalott. And down the river's dim expanse -- Like some bold seer in a trance, Seeing all his own mischance -- With a glassy countenance Did she look to Camelot. And at the closing of the day She loosed the chain, and down she lay; The broad stream bore her far away, The Lady of Shalott. Lying, robed in snowy white That loosely flew to left and right -- The leaves upon her falling light -- Thro' the noises of the night, She floated down to Camelot: And as the boat-head wound along The willowy hills and fields among, They heard her singing her last song, The Lady of Shalott. Heard a carol, mournful, holy, Chanted loudly, chanted lowly, Till her blood was frozen slowly, And her eyes were darken'd wholly, Turn'd to tower'd Camelot; For ere she reach'd upon the tide The first house by the water-side, Singing in her song she died, The Lady of Shalott. Under tower and balcony, By garden-wall and gallery, A gleaming shape she floated by, Dead-pale between the houses high, Silent into Camelot. Out upon the wharfs they came, Knight and burgher, lord and dame, And around the prow they read her name, The Lady of Shalott. Who is this? And what is here? And in the lighted palace near Died the sound of royal cheer; And they cross'd themselves for fear, All the knights at Camelot: But Lancelot mused a little space; He said, "She has a lovely face; God in His mercy lend her grace, The Lady of Shalott." The Charge of the Light Brigade Half a league, half a league, Half a league onward, All in the valley of Death Rode the six hundred. "Forward the Light Brigade! Charge for the guns!" he said. Into the valley of Death Rode the six hundred. "Forward, the Light Brigade!" Was there a man dismay'd? Not tho' the soldier knew Some one had blunder'd. Theirs not to make reply, Theirs not to reason why, Theirs but to do and die. Into the valley of Death Rode the six hundred. Cannon to right of them, Cannon to left of them, Cannon in front of them Volley'd and thunder'd; Storm'd at with shot and shell, Boldly they rode and well, Into the jaws of Death, Into the mouth of hell Rode the six hundred. Flash'd all their sabres bare, Flash'd as they turn'd in air Sabring the gunners there, Charging an army, while All the world wonder'd. Plunged in the battery-smoke Right thro' the line they broke; Cossack and Russian Reel'd from the sabre-stroke Shatter'd and sunder'd. Then they rode back, but not, Not the six hundred. Cannon to right of them, Cannon to left of them, Cannon behind them Volley'd and thunder'd; Storm'd at with shot and shell, While horse and hero fell, They that had fought so well Came thro' the jaws of Death, Back from the mouth of hell, All that was left of them, Left of six hundred. When can their glory fade? O the wild charge they made! All the world wonder'd. Honor the charge they made! Honor the Light Brigade, Noble six hundred!


The Deacon's Masterpiece

or The One-Hoss Shay (1858) by Oliver Wendell Holmes, Sr. HAVE you heard of the wonderful one-hoss shay, That was built in such a logical way It ran a hundred years to a day, And then, of a sudden, it--ah, but stay I'll tell you what happened without delay, Scaring the parson into fits, Frightening people out of their wits,-- Have you ever heard of that, I say? Seventeen hundred and fifty-five, Georgius Secundus was then alive,-- Snuffy old drone from the German hive; That was the year when Lisbon-town Saw the earth open and gulp her down, And Braddock's army was done so brown, Left without a scalp to its crown. It was on the terrible earthquake-day That the Deacon finished the one-hoss shay. Now in building of chaises, I tell you what, There is always somewhere a weakest spot,-- In hub, tire, felloe, in spring or thill, In panel, or crossbar, or floor, or sill, In screw, bolt, thoroughbrace,--lurking still, Find it somewhere you must and will,-- Above or below, or within or without,-- And that's the reason, beyond a doubt, A chaise breaks down, but doesn't wear out. But the Deacon swore (as Deacons do, With an "I dew vum," or an "I tell yeou,") He would build one shay to beat the taown 'n' the keounty 'n' all the kentry raoun'; It should be so built that it couldn' break daown! "Fur," said the Deacon, "t's mighty plain Thut the weakes' place mus' stan' the strain; 'n' the way t' fix it, uz I maintain, Is only jest T' make that place uz strong uz the rest." So the Deacon inquired of the village folk Where he could find the strongest oak, That couldn't be split nor bent nor broke,-- That was for spokes and floor and sills; He sent for lancewood to make the thills; The crossbars were ash, from the straightest trees, The panels of whitewood, that cuts like cheese, But lasts like iron for things like these; The hubs of logs from the "Settler's ellum," Last of its timber,--they couldn't sell 'em, Never an axe had seen their chips, And the wedges flew from between their lips Their blunt ends frizzled like celery-tips; Step and prop-iron, bolt and screw, Spring, tire, axle, and linchpin too, Steel of the finest, bright and blue; Thoroughbrace bison-skin, thick and wide; Boot, top, dasher, from tough old hide Found in the pit when the tanner died. That was the way he "put her through." "There!" said the Deacon, "naow she'll dew." Do! I tell you, I rather guess She was a wonder, and nothing less! Colts grew horses, beards turned gray, Deacon and deaconess dropped away, Children and grandchildren--where were they? But there stood the stout old one-hoss shay As fresh as on Lisbon-earthquake-day! EIGHTEEN HUNDRED;--it came and found The Deacon's Masterpiece strong and sound. Eighteen hundred increased by ten;-- "Hahnsum kerridge" they called it then. Eighteen hundred and twenty came;-- Running as usual; much the same. Thirty and forty at last arrive, And then come fifty, and FIFTY-FIVE. Little of all we value here Wakes on the morn of its hundredth year Without both feeling and looking queer. In fact, there's nothing that keeps its youth So far as I know, but a tree and truth. (This is a moral that runs at large; Take it.--You're welcome.--No extra charge.) FIRST OF NOVEMBER,--the Earthquake-day.-- There are traces of age in the one-hoss shay-- A general flavor of mild decay, But nothing local, as one may say. There couldn't be,--for the Deacon's art Had made it so like in every part That there wasn't a chance for one to start. For the wheels were just as strong as the thills, And the floor was just as strong as the sills, And the panels just as strong as the floor, And the whippletree neither less nor more, And the back-crossbar as strong as the fore, And spring and axle and hub encore, And yet, as a whole, it is past a doubt In another hour it will be worn out! First of November, 'Fifty-five! This morning the parson takes a drive. Now, small boys, get out of the way! Here comes the wonderful one-hoss shay, Drawn by a rat-tailed, ewe-necked bay. "Huddup!" said the parson. --Off went they. The parson was working his Sunday's text,-- Had got to fifthly, and stopped perplexed At what the--Moses--was coming next. All at once the horse stood still, Close by the meet'n'-house on the hill --First a shiver, and then a thrill, Then something decidedly like a spill,-- And the parson was sitting upon a rock, At half-past nine by the meet'n'-house clock,-- Just the hour of the Earthquake shock! --What do you think the parson found, When he got up and stared around? The poor old chaise in a heap or mound, As if it had been to the mill and ground! You see, of course, if you're not a dunce, How it went to pieces all at once,-- All at once, and nothing first,-- Just as bubbles do when they burst. End of the wonderful one-hoss shay. Logic is logic. That's all I say.


Selected Ogden Nash Verse

by Ogden Nash (1902-1971) THE COW The cow is of the bovine ilk; One end is moo, the other, milk. REFLECTIONS ON ICE-BREAKING Candy Is Dandy But liquor Is quicker. WHAT'S THE USE? Sure, deck your limbs in pants, Yours are the limbs, my sweeting. You look devine as you advance... Have you seen yourself retreating? WHICH THE CHICKEN, WHICH THE EGG? He drinks because she scolds, he thinks; She thinks she scolds because he drinks; And neither will admit what's true, That he's a sot and she's a shrew. THE PURIST I give you now Professor Twist, A conscientious scientist, Trustees exclaimed, "He never bungles!" And sent him off to distant jungles. Camped on a tropic riverside, One day he missed his loving bride. She had, the guide informed him later, Been eaten by an alligator. Professor Twist could not but smile. "You mean," he said, "a crocodile." THE ABOMINABLE SNOWMAN I've never seen an abominable snowman, I'm hoping not to see one, I'm also hoping, if I do, That it will be a wee one. THE GERM A mighty creature is the germ, Though smaller than the pachyderm. His customary dwelling place Is deep within the human race. I cannot help but wonder at The oddness of his habitat. His childish pride he often pleases By giving people strange diseases. Do you, my poppet, feel infirm? You probably contain a germ. THE WASP The wasp and all his numerous family I look upon as a major calamity. He throws open his nest with prodigality, But I distrust his waspitality. THE TERMITE Some primal termite knocked on wood And tasted it, and found it good! And that is why your Cousin May Fell through the parlor floor today. THE GUPPY Whales have calves, Cats have kittens, Bears have cubs, Bats have bittens, Swans have cygnets, Seals have puppies, But guppies just have little guppies. THE OSTRICH The ostrich roams the great Sahara. Its mouth is wide, its neck is narra. It has such long and lofty legs, I'm glad it sits to lay its eggs. THE ANT The ant has made himself illustrious Through constant industry industrious. So what? Would you be calm and placid If you were full of formic acid? REQUIEM There was a young belle of old Natchez Whose garments were always in patchez. When comment arose On the state of her clothes, She replied, When Ah itchez, Ah scratchez. THE HIPPOPOTAMUS Behold the hippopotamus! We laugh at how he looks to us, And yet in moments dank and grim, I wonder how we look to him. Peace, peace, thou hippopotamus! We really look all right to us, As you no doubt delight the eye Of other hippopotami. THE CHIGGER A most efficient digger, Is that possessed by the chigger. He chews through your hide For the meat that's inside. He'd eat to the bone, were he bigger. THE CENTIPEDE I objurgate the centipede, A bug we do not really need. At sleepy-time he beats a path Straight to the bedroom or the bath. You always wallop where he's not, Or, if he is, he makes a spot. CHILDREN'S PARTY May I join you in the doghouse, Rover? I wish to retire till the party’s over. Since three o’clock I’ve done my best To entertain each tiny guest. My conscience now I’ve left behind me, And if they want me, let them find me. I blew their bubbles, I sailed their boats, I kept them from each other’s throats. I told them tales of magic lands, I took them out to wash their hands. I sorted their rubbers and tied their laces, I wiped their noses and dried their faces. Of similarities there’s lots Twixt tiny tots and Hottentots. I’ve earned repose to heal the ravages Of these angelic-looking savages. Oh, progeny playing by itself Is a lonely little elf, But progeny in roistering batches Would drive St. Francis from here to Natchez. Shunned are the games a parent proposes, They prefer to squirt each other with hoses, Their playmates are their natural foemen And they like to poke each other’s abdomen. Their joy needs another woe’s to cushion it, Say a puddle, and someone littler to push in it. They observe with glee the ballistic results Of ice cream with spoons for catapults, And inform the assembly with tears and glares That everyone's presents are better than theirs. Oh, little women and little men, Someday I hope to love you again, But not till the party's over, So give me the key to the doghouse, Rover.


Of Love: A Sonnet

by Robert Herrick (1591 - 1674) How Love came in, I do not know, Whether by th'eye, or ear, or no; Or whether with the soul it came, At first, infused with the same; Whether in part 'tis here or there, Or, like the soul, whole every where. This troubles me; but I as well As any other, this can tell; That when from hence she does depart, The outlet then is from the heart.    To the Virgins, to Make Much of Time

Gather ye rosebuds while ye may, Old time is still a-flying; And this same flower that smiles today Tomorrow will be dying. The glorious lamp of heaven, the sun, The higher he's a-getting, The sooner will his race be run, And nearer he's to setting. That age is best which is the first, When youth and blood are warmer; But being spent, the worse, and worst Times still succeed the former. Then be not coy, but use your time, And, while ye may, go marry; For, having lost but once your prime, You may forever tarry.


Love Poems

by Sara Teasdale (1884-1933) THE LOOK Strephon kissed me in the spring, Robin in the fall, But Colin only looked at me And never kissed at all. Strephon's kiss was lost in jest, Robin's lost in play, But the kiss in Colin's eyes Haunts me night and day. A PRAYER Until I lose my soul and lie Blind to the beauty of the earth, Deaf though shouting wind goes by, Dumb in a storm of mirth; Until my heart is quenched at length And I have left the land of men, Oh, let me love with all my strength Careless if I am loved again. THE GIVER You bound strong sandals on my feet, You gave me bread and wine, And sent me under sun and stars, For all the world was mine. Oh, take the sandals off my feet, You know not what you do; For all my world is in your arms, My sun and stars are you.


The Daffodils and Others

by William Wordsworth (1770-1850) THE DAFFODILS I wander'd lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host of golden daffodils, Beside the lake, beneath the trees Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance Tossing their heads in sprightly dance. The waves beside them danced, but they Out-did the sparkling waves in glee:- A poet could not but be gay In such a jocund company! I gazed - and gazed - but little thought What wealth the show to me had brought; For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils. SHE WAS A PHANTOM OF DELIGHT She was a phantom of delight When first she gleam'd upon my sight; A lovely apparition, sent To be a moment's ornament; Her eyes as stars of twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn A dancing shape, an image gay, To haunt, to startle, and waylay. I saw her upon nearer view, A spirit, yet a woman too! Her household motions light and free, And steps of virgin-liberty; A countenance in which did meet Sweet records, promises as sweet; A creature not too bright or good For human nature's daily food, For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles. And now I see with eye serene The very pulse of the machine; A being breathing thoughtful breath, A traveller between life and death: The reason firm, and temperate will, Endurance, foresight, strength, and skill; A perfect woman, nobly plann'd To warn, to comfort, and command; And yet a Spirit still, and bright With something of angelic light.


Search THIS ENTIRE WEB SITE for CLS technical, financial or other data >>>

PicoSearch

E-mail Irving This page is made entirely from recycled electrons.  Any similarity between this and any other page may be completely intentional.  Not tested on animals.  Void where prohibited.   Return to Irving's Home Page